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Artist in the Garden

Plein Air

9th Annual

Canadian Artist Susan Macontosh paints plein air at the Artist in the Garden at the Leifheit's gardens in Paul Smiths this past summer.

From November 3 to December 2, a special Artist in the Garden “plein air” art exhibit at forARTSake celebrates artists painting in a local North Country garden. The public is invited to attend the Artist Reception on Saturday, December 4 from 4 to 6 PM in the upstairs gallery. The reception is open to the public and provides an opportunity to meet the artists and discuss the artwork in the show.

          The concept for Artist in the Garden originated nine years ago. It began in a discussion around a dinner table with Charles Atwood King and Tim Fortune, a local artist from Saranac Lake. King shared his idea of inviting artists to come together on one day in the summer and painting plein air. That same summer the first plein air event occurred with a few fellow artists in the gardens of the King home. After the second year, it officially became Artist in the Garden, and King and his wife Karen Lamitie-King opened their home and gardens to artists of all genres throughout the North Country. Over the years, more days have been offered to accompany a larger number of artists. Several years ago, Diane Leifheit also became involved in the event and opened her gardens for plein air painting. With more days available for artists to visit the gardens, increased interest, and the annual Artist in the Garden exhibit, over 50 artists have been inspired to participate.

The Artist in the Garden theme is to capture some aspect of an Adirondack garden on a summer day with the artist’s choice of media. Ideally, each artist begins and finishes the image in one day… rain or shine. However, depending on the media and the length of time required to complete a particular piece, the artist may continue to create beyond the particular plein air day.

This year’s event took place mainly during two days at the Leifheit’s gardens near Paul Smiths. These gardens have been cultivated and nurtured for over twenty-six years. The frequent rain during this past summer made them particularly spectacular. The gardens were full of luxurious perennials and annuals creating a visual paradise that the artists found exhilarating and challenging to interpret.

         The first day of Artist in the Garden was an early summer day in June that offered brilliant color and deep shadows for the working artist. The second day was a rainy day in late August, but the artwork that resulted reflects the texture of wet leaves, intense late summer colors, and thick green foliage.

         Each image in the 9th annual Artist in the Garden exhibit captures a moment, a glimpse of an Adirondack garden either in early June or late August. Beverly Quenville states, “We proudly present the plein air art of Artist in the Garden, an increasingly sought-after and popular event. The show captures the moods and mystery of the Adirondack garden both in vibrant color and in the subdued light and beauty of a rainy day.”

This unique art exhibit will be at forARTSake from November 3 to December 2. The public is invited to the artist reception in the upstairs gallery on Saturday, November 4 from 4 to 6 PM and is encouraged to visit forARTSake any time during business hours: Tuesday to Friday from 10 to 5 and Saturday from 10 to 4. The timeless beauty of an Adirondack garden will be evident to all those who attend.

The definition of plein air or en plein air, is a French phrase that translates "in the open air". This term is used to describe paintings that have been created chiefly outdoors, rather than in the studio. Photo reference is usually not used.
The roots of plein air painting from life are found in 19th-century Europe with John Constable and at the same time the Barbizon group near France with invention of portable pigments and their sketch books in hand, they travelled outside into out of doors. They're efforts combined laid the ground work for the Impressionist Giants, Claude Monet, Edouard Manet, Winslow Homer, Camille Pissarro, and John Singer Sargent. Who challenged and revolutionized the truth of the eye, form, light and color.
Painting by the Edge of a Wood. 1888. John Singer Sargeant Oil on canvas. 54.0 x 64.8 cm. Tate Gallery, London. Artists have long painted outdoors, but in the mid-1800’s working in natural light became particularly important to Impressionism. The popularity of painting en plein air increased with introduction in the 1870’s of paints in tubes (resembling modern toothpaste (tubes).